Photography Education
First published on johnglynnphotography.com 30/01/10
The Value of Education
Every year, and the last was no exception, there have been articles published
relating to college/university education and the value of such learning. In the
British Journal of Photography there have been articles covering specific
courses and the resulting letters came in two camps – those who had denounced
photography education and claimed that there are too many courses churning out
too many students with unreal expectations; and those that believe that
learning photography and gaining a qualification in photography is a good
grounding for those entering photography as a career.
Is either of these camps right? Yes and no is always the answer.
It is true that there are many photography courses, especially at the lower
level of the qualification scale, being run by so many colleges it is hard to
count. Within a thirty mile radius of where I live there are about five
colleges teaching photography to Diploma and Higher National Diploma level, two
in Edinburgh alone. And it could be argued that there are too many photography
students being produced for the number of jobs available – this is in fact
undoubtedly the case.
However, the other side of the argument is just as relevant. Photography today
as it is practised is not the same as the one I was trained in back in the
early 1980’s and is so far removed from those days it is hard to comprehend the
shift. Photography now includes web design, film making/video production, CAD,
CGI and a thorough understanding of computer software – especially Adobe
Photoshop and its add-ons – plus file types, image management systems, and
communication systems that didn’t exist five years ago let alone twenty. In the
1980’s it was a matter of passing the City & Guilds 744 exam based on a
technical understanding of photography and film (I know, I have that
qualification), and then I learnt even more by working as an assistant in
London with very good photographers covering still-life, fashion, room-sets and
loads more. But times have changed. The basic premise was the same across most
branches of photography – medium/large format cameras with flash in a studio.
The film was processed (transparency pushed or pulled a wee bit) and handed to
the client a few hours later (or next day even). The luxury of time!!
Colleges today are able to afford the time for students to learn many aspects
of image creation – not just the basic technical knowledge required of taking a
picture - but also introduce new uses of photography that working as an
assistant with a few photographers is unlikely to cover fully.
Here I will introduce my interest in this subject – Education. As I have said
already, I have a City & Guilds 744, I worked in London for five years as
an assistant photographer covering architecture, location and studio fashion,
room-sets and still-life, and catalogue photography. I ended up running my own
photography business doing portraiture for in-house publications in Scotland. I
have also passed a further City & Guilds qualification in Video and
Television Production. In 2000 I began taking photographs using a digital dslr
and from 2001 I have never been asked to photograph using film again – though I
still have my Bronica medium format camera just in case.
The computer and digital photography has changed everything. My business shrank
as clients no longer produced glossy in-house magazines, but moved to on-line
variants where the photographs were produced by the in-house designer/p.r.
person or the regular staff. I jumped ship and studied, gaining a first class
Hons degree in photography and then, more recently, a teaching qualification.
I understand those who see education only as a way of getting a job – this is
the old fashioned concept of schooling – get qualifications, find a job and
stay there until you retire, or die, whichever comes first. I have even read
about politicians who advocate local businesses to become more involved in
educational establishments defining and structuring courses around the type of
employee they wish. This will not work. Most businesses close within twenty odd
years and even large multinationals only stay in one area for that amount of
time too. Where I live three major international companies Motorola, Sun Micro
Systems and Hewlett Packard have come and largely gone in a little over thirty
years. They were, we were promised by the government, the future. If the
colleges had relied on those companies for their long term survival, then they
too would have closed down.
Luckily education is more than just learning to do something – learn the times
tables or learn how to turn the camera on and off. It has to be about enabling
and encouraging the student to think, define and argue about what they see and
how they understand what they see. Photography education is also about
research, communication (visual, written and verbal), team work, time
management, planning, discussion, argument; everything that is necessary for
not only working as a photographer, but, more importantly, working in any field
of communication. I don’t see students of photography only becoming
photographers, any more than they did thirty odd years ago when I was at
college; but I do see them broadening their ideas and from there being open to
new ideas and then discovering what they wish to do and this might include, for
some, becoming a photographer.
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